Love may be blind — but does it care about your accent?
That’s one of the many questions confronted by contestants on “Love Is Blind: U.K.,” the latest international spinoff of the hit Netflix reality show about singles who fall in love through a wall and then decide if they want to get married after meeting face-to-face.
Over six seasons based in cities across the United States, the original “Love is Blind” has resulted in 11 marriages, two divorces, a bunch of lawsuits and two babies (so far). Japanese, Swedish and Brazilian versions of the show — excuse me, “experiments” — have also led to successful relationships. But lately the American prototype has been showing signs of the strain that affects virtually every established reality show, thanks to too many fame-thirsty contestants who know the rules of the game.
Enter “Love Is Blind: U.K.,” which put a distinctly British twist on the formula when it premiered earlier this month — and has emerged as a welcome return to form for the franchise, delivering a satisfying blend of enjoyable mess and heartwarming love stories.
The latest incarnation takes the “Love Is Blind” hallmarks — the golden wine goblets, the windowless pods that look like Ikea displays, the delusional villain, the scarcely seen hosts who pop up just as you’ve forgotten their existence — and presents them in a context that’s new enough to make things interesting. The show features an array of colorful Britishisms and lovely regional accents, some oddly formal terminology (for some reason, the “ladies’ lounge” is known as the “female living quarters”) and a wedding venue fit for a Jane Austen adaptation.