Move over, Hot Labor Summer. It’s time for Sad TV Fall.
Hollywood has been at a standstill for months, as the Writers Guild of America and SAG-AFTRA remain on strike over issues including the use of artificial intelligence and streaming residuals. For the most part, the pain has been experienced by people in the industry and other businesses that rely on production. But as we head into a fall TV season conspicuously lacking returning favorites like “Abbott Elementary,” “Chicago Fire,” “Young Sheldon” and “Grey’s Anatomy,” average TV viewers will also start to feel the ripple effects of the historic work stoppage.
As expected, broadcast networks like ABC, CBS and NBC will be hardest hit by the strike because their scripted shows are usually produced with less lead time and usually resume production in the summer months. Without fresh episodes to air in September, they are doing what they have done in the past — leaning into reality programming and game shows. They’ve also padded their lineups with imported shows, including the original British version of “Ghosts,” and series borrowed from within their parent companies (which is why “Yellowstone” reruns will air on CBS this fall).
Late night comedy shows including “Jimmy Kimmel Live,” “Late Night With Seth Meyers” and “Saturday Night Live” — which were among the first programs to go dark once the strike commenced in May — are also not expected to return until there is a resolution.
For cable networks and streaming services, which tend to bank programming further in advance, the disruption won’t be as acute — yet — this fall. Still, a number of scripted streaming shows that were already in production also had to shut down, including the Netflix blockbuster “Stranger Things” and the Max comedy series “Hacks.” However, series like HBO’s “Last Week Tonight With John Oliver” and Comedy Central’s “The Daily Show” continue to be on hiatus, having produced no new shows since May.