Lucky 13 in Paris lets Nadal tie Federer with 20 Slam titles

“The love story that I have with this city, and with this court, is unforgettable,” Nadal said.

He deflected a question during the on-court, post-match interview about catching Federer, saying his focus remained squarely on the French Open.

“(To) win here means everything to me, no? It’s not the moment, honestly … (to) think today about the 20th,” Nadal said. “Roland Garros means everything to me. I spent, here, the most important moments — or most of the most important moments — in my tennis career, no doubt about that.”

Nadal, No. 2 in the rankings, improved to 100-2 at the French Open, including a combined 26-0 in semifinals and finals, and picked up his fourth consecutive title in Paris. The 34-year-old left-hander from Spain previously put together streaks of four French Open championships from 2005-08, then five in a row from 2010-14, to go alongside his four trophies at the U.S. Open, two at Wimbledon and one at the Australian Open.

Nadal is now even with Federer for the first time since each man had zero Slams to his name in 2003. Federer’s first arrived at Wimbledon that year; Nadal, naturally, earned his first in France in 2005, by which point he trailed 4-0.

Djokovic’s loss left him at 17 majors; had he won, the trio’s standings would have read 20-19-18.

“It’s honestly a pleasure — in some ways it’s a pleasure — sharing this great era of tennis together,” Nadal said. “On the other hand, (there) have been tough battles for a long time.”

This was the 56th installment of Nadal vs. Djokovic, the most meetings between any pair of men in the professional era, and their ninth in a Grand Slam final, equaling Nadal vs. Federer for the most.

Djokovic had won 14 of the last 18 matchups against Nadal, and led 29-26 overall, including a 6-3, 6-2, 6-3 win at the 2019 Australian Open final.

Nadal allowed Djokovic one fewer game this time.

“In Australia, he killed me. … Today was for me,” Nadal said. “That’s part of the game.”

The key statistic Sunday: Nadal limited his unforced errors to 14 across 183 points, impressive against anyone, but especially someone the caliber of Djokovic, who accumulated 52.

“I am not so pleased with the way I played,” Djokovic said. “But I was definitely (outplayed) by a better player.”

The first set was a 45-minute master class conducted by Nadal, who came out incredibly crisply and cleanly, steering his high-rpm forehands precisely where he wanted them and using his defense-to-offense abilities to slide and stretch and flick balls back with aggression.

Appearing resigned in the early going, Djokovic generally was less loud than he often is when he struggles, not yelling at himself or toward his entourage, and not showing anger in other ways — such as the post-point whack of a ball that hit a line judge at the U.S. Open last month, earning a disqualification, his only other loss in 39 matches this season.

Instead, Djokovic was left to puff his cheeks or roll his eyes, lower his head or slump his shoulders, exasperated with himself, perhaps, but also unable to figure out how to counter the relentless perfection on the other side of the net. After one exchange, he put up his palms, as if to ask, “What can I do here?”

It was only the fourth 6-0 set lost by Djokovic in 341 career Grand Slam matches — and two of the others came all the way back in 2005, the year he made his debut at the major tournaments.

As he sat in his sideline seat digesting that shutout of an opening set Sunday, four Djokovic supporters in blue jerseys and white baseball hats stood and sang in the stands, their chorus drowning out the light pitter-patter of drizzle hitting the retractable roof.

The much-anticipated matchup between these two titans of their sport was the first indoor French Open men’s final, contested under Court Philippe Chatrier’s new cover. The day began with a blue sky and sunshine, but dark clouds eventually gathered, and when rain came about a half-hour before the scheduled start, the arena was shut.

From its stand in the VIP section, the trophy, La Coupe des Mousquetaires, glistened under the electric lighting that did away with the sharp contrasts of light and shadow seen on the court under the autumnal afternoon sun.

This also was the first French Open contested with players walking on court wearing masks on account of the coronavirus pandemic, the reason the 15-day event was shifted from May-June to September-October and crowds were limited to 1,000 per day. On Sunday, those lucky enough to attend mainly were concentrated in not-very-socially-distanced dense clumps in the first 20 or so rows; the roof helped amplify cheers and roars reverberating around the enclosed space.

Perhaps owing to the mostly lopsided nature of this final, though, they often were silent, so much so that the sound of Djokovic peeling the plastic cover off a new racket could be heard.

The postponement led to colder, wetter weather than usual, which affects the way the clay affects shots, making them bounce lower and slower. There was a school of thought that could hinder Nadal, as would this year’s change to a slightly heavier tennis ball.

So much for that.

What didn’t Nadal do well all tournament and on this historic day?

He dealt with Djokovic’s predilection for drop shots much better than previous foes of the 33-year-old Serb, using anticipation and speed to dim that strategy’s success.

He took five of Djokovic’s first six service games and broke seven times in all.

He faced only five break points himself, saving four.

More than two hours in, when Djokovic employed a backhand winner to get his initial break on his fifth opportunity, making it 3-all in the third set, he let out a couple of roars and waved his arms to ask for more noise from fans.

But it was too little, too late. Less than a half-hour later, it would all be over.

Nadal was simply too good, as he almost always is at the French Open — and as good as any man ever has been in a Grand Slam career.

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AP Tennis Writer Fendrich reported from Washington; AP Sports Writer Leicester reported from Paris.