Exhibit looks back and forward at Orwell

ALBUQUERQUE, N.M. — War is Peace. Freedom is Slavery. Ignorance is Strength.

Those were the slogans of the Party in George Orwell’s 1949 novel “1984” that allowed the superstate of Oceania to keep its population under control. The Thought Police thwarted dissent. The Ministry of Truth promoted lies. The Ministry of Love tortured lovers.

Those dystopian warnings about the fake becoming the gospel have shaped the minds of generations since they appeared in print more than a half-century ago. And now a new exhibit on Orwell at the University of New Mexico’s Zimmerman Library in Albuquerque, N.M., seeks to remind people about the author’s premonitions amid a new — yet very familiar — era.

“George Orwell: His Enduring Legacy” which runs through April, features posters and material related to “1984” and his 1945 allegorical novella, “Animal Farm.” It also contains rare Orwell books in different languages to highlight his reach.

The British-born Orwell, who died in 1950, was known for “Animal Farm” and “1984,” both of which tackled totalitarianism. Orwell’s “1984” has become a best-seller in the U.S. again during the Trump administration.

The exhibit was sparked after Russ Davidson, a longtime advocate and employee of the University of New Mexico University Libraries, donated his collection of rare Orwell books. Those rare works included first editions of “Animal Farm” and “1984” in Icelandic, Ukrainian, Swahili, French, Urdu, German, Hungarian and Spanish. He also obtained first, early and other scarce editions of many of Orwell’s other books, essays and reportage.

Such unique books are on display in the exhibit.

Yet, the most captivating aspect of the small but powerful exhibit is the art and objects connected to themes and Orwell’s life. Artifacts and posters from the Spanish Civil War are shown to illustrate how the conflict played a role in Orwell’s intellectually formation. Orwell fought against a right-wing military coup in Spain but fled after he was shot in the throat and officials sought his arrest.

The campy book cover art also is seductive, offering commentaries about the eras the editions were produced rather than the work inside. In one edition of “1984,” for example, the cover features characters for the Sen. Joseph McCarthy Era 1950s with the words “forbidden love …fear … betrayal.” It’s almost as if novel was merely a pulp fiction soap opera.

Then, there are the portrayals of Napoleon, the authoritarian pig in Animal Farm. Red posters show Napoleon in military gear of communist Eastern Europe. Other images show his celebrating his abundance at the sake of others, since, “all animals are equal, but some animals are more equal than others.”

Journalists, academics and political observers of every succeeding generation since Orwell’s untimely death have argued that Orwell remains relevant in their time. And, yes, the same could be said of today.

Orwell’s concepts of doublespeak (deliberately euphemistic, ambiguous, or obscure language), newspeak (doublespeak for political propaganda) and thoughtcrimes (thoughts deemed illegal by a mob or a government) continued to be cited in response to current events.