What follows is a look at a singer’s life, as lived in music.
1. “Whatever Will Be, Will Be (Que Sera, Sera).” Day’s signature song (supplanting earlier signature songs). A faux folk waltz in an Italianate manner, from the team of Jay Livingston and Ray Evans (“Mona Lisa,” “Tammy”). Dean Martin’s “That’s Amore” had come out a few years before, it was a going style at the time. It was originally sung, to solo piano accompaniment; during a key, tense scene in Alfred Hitchcock’s 1956 remake of “The Man Who Knew Too Much,” in which Day starred opposite James Stewart; it won the best song Oscar for its year. The single version, tricked up with Mediterranean mandolin, is a merrier event. Day revisited it briefly in two subsequent films, “Please Don’t Eat the Daisies” (1960) and “The Glass Bottom Boat” (1966).
2. “Sentimental Journey.” Day’s first signature song was recorded in 1945, at the age of 23, with Les Brown and His Band of Renown (Brown wrote it with Ben Homer and Bud Green). Loping saxophones lead this easygoing chart, Day’s first No. 1 single, slight twang. Day, who discovered she could sing by singing along with the radio, was an avowed fan of Ella Fitzgerald, and one hears both Fitzgerald’s precision and her winsomeness in this performance; but there might be a little Billie Holiday in there, too. As always, the singer’s consonants are present and accounted for. Her approach is conversational and confidential, but when she opens up on the bridge — “Seven, that’s the time we’re leaving” — a star is born.
3. “It’s Magic.” This cascading ballad, her second signature song, comes from the 1948 film comedy “Romance on the High Seas,” Day’s first film, in which she played a spunky, hip chick with a penchant for jazz jive. She’s the secondary romantic figure, but if this movie has any lasting importance, it’s everything she does in it — she wasn’t sure she could act, but, as in her singing, honest interpretation is her strong suit. It has a cascading melody that starts high and collapses into sighs on the title refrain.
4. “Put ’em in a Box, Tie ’em with a Ribbon, and Throw ’em in the Deep Blue Sea.” Also from “Romance on the High Seas,” this song, written by Jules Style and Sammy Cahn, teamed Day with the light bop of the Page Cavanaugh Trio, with whom she would record occasionally over the next few years. Its light swing and devil-may-care lyric fits her well; though Day would acquire the image of a perennial, ironically virginal housewife, she grew up, not always pleasantly, among jazz musicians from her teens (and married two), and knew how to handle herself, both on and off the mike.