“It’s a Wonderful Life:” sentimental sap or searing social commentary? Maybe it’s both, somehow, and much more too?
“It’s a Wonderful Life” is one of a big Santa sack of holiday classics that return to the local independent screen this month. The Kiggins Theatre in downtown Vancouver and the Liberty Theater in Camas have lined up many familiar favorites that recall simpler times.
Or were they? The world that George Bailey (James Stewart) contends with seems awfully fraught, even when he’s just a lad. That’s when he prevents the local pharmacist, who’s blinded by sorrow over the loss of a child, from accidentally poisoning a customer. What does George earn for his lifesaving good deed? Blows to the head that leave him bleeding. It’s an intense and disturbing scene that sets the tone for what’s to come: It may be a “Wonderful Life,” but there are still steep dues to pay and tragedies to endure.
George is a complicated hero. We know his heart is gold, but he’s so desperate to escape Bedford Falls that he treats the local girl he’s obviously meant for (Donna Reed) with unforgivable rudeness. (Why does she forgive him?) Bedford Falls is a rigidly stratified world, where the ethnically diverse poor struggle to afford homes while the rich do their best to keep things that way. When scheming banker Mr. Potter steals a wad of cash from the struggling Baileys — with his own hands, and with relish — George is driven to the brink of suicide.