Actress Patty Duke died on Tuesday at age 69, and will be remembered for her many Hollywood achievements, from her Oscar-winning turn at age 16 in “The Miracle Worker” to “The Patty Duke Show” on ABC. But Duke also carries another badge: The original dysfunctional child-star survivor, as she overcame a truly horrific childhood and became one of the first public figures to speak out about her mental illness.
While stories about controlling child-star guardians are nothing new, Duke had a particularly traumatic experience that was hidden for years. Her first name isn’t even really Patty. As she wrote in her 1987 memoir, “Call Me Anna” (co-authored with Kenneth Turan), Duke’s real first name is Anna Marie. But when she was 7 years old, her already unstable parents in Queens (father an alcoholic, mother with emotional problems) shipped her off to live in Manhattan with a husband-wife team who managed child actors. Ethel and John Ross changed her name to Patty, telling her “Anna Marie is dead. You’re Patty now.”
“They erased her New York accent; dressed her like a miniature Grace Kelly; taught her to lie about her height, weight, age and experience. Her audition interviews were programmed and rehearsed,” wrote Faiga Levine in a Washington Post review of the book. “They fed her booze and prescription drugs; at least once they made drunken sexual overtures to her; and they ripped off the bulk of her earnings. Her life revolved around auditions, rehearsals, performances and the hypercritical, browbeating Rosses, who dissected, analyzed and disparaged everything about her.”
Her home life was a startling contrast to how she appeared to the world: an adorable, talented child star. Duke won bit roles in soap operas and commercials, and when she was 12, landed the role of Helen Keller in the Broadway play “The Miracle Worker,” starring opposite Anne Bancroft as teacher/nurse Annie Sullivan. The play was so successful that it was adapted into the movie of the same name in 1962, and won Duke an Academy Award for best supporting actress. The New York Times commended the “absolutely tremendous and unforgettable display of physically powerful acting” between Duke and Bancroft.