In December 1941, when Hungary severed relations with the United States during World War II, Maria Madi, a doctor in Budapest, started keeping a diary for her daughter, who had just emigrated to Louisiana.
Madi did not know if her daughter would ever see her words. But she wrote anyhow: About the war. About the Nazis. About the suffering of Jews. And about the two people she hid in her apartment, at times behind a large mirror when visitors came to call.
By war’s end, Madi, who was not Jewish, had filled 16 notebooks in handwritten English that serve as a grim portrait of the Holocaust in Hungary and of a defiant woman sickened by its cruelty.
“I am going to see, to hear, to witness everything,” Madi wrote, adding later, “it may happen of course that neither myself nor my diary will ever reach you.”